Pourtensious Lighting is the functional sculpture of Eric M. Sternfels.

The artist/architect who creates these clever pieces, seeks not just to amuse those who see his work, but to steer focus onto the handsome form and design of the everyday vessels of bygone days. Orphaned cups and kettles, percolators and plates are joined into harmonious tableaus of American domesticity. The results are curiously both classic and funky. The lighting is at home in both traditional and contemporary spaces.



Eric M. Sternfels' work springs from a sense that inanimate objects possess their own soul and history. When speaking about the pieces he collects for his work, the artist believes the energy of those that designed or made them, of those that have used and enjoyed them, and of those that now take the time to see them again in new light all collaborate to give us pleasure and satisfaction.

Perhaps this philosophy was born when, as a young boy, Eric was given the household chore of dusting the bookshelves and china cabinets. After swiping a dust cloth around the objects, his mother explained that each thing must be picked up and dusted as well. And to emphasize the care with which these special items needed to be handled, she methodically told him the history of each cup, saucer, candlestick and bookend. Whether about where or how the objects were made, or who had given or purchased these objects, Eric had a new appreciation for what had previously been "the Untouchables" in the family living room.

Eric's paternal grandfather, a postman in Bronx, NY also contributed to the artist's sensibilities as well through an extensive collection of postmarked stamps. Knowing his grandpa asked his neighbors for the unwanted envelopes when he spied handsome stamps along his delivery route made the developing artist consider the individual histories of the stamps. Each was designed by someone, printed by someone, sold by someone, licked by someone, sent to someone else on a business or personal mission, and ultimately put once more into the mailbox for the gentle, stamp-collecting postman. Sternfels' two-dimensional collages incorporate these stamps along with artisan papers and ribbons into quilt-like compositions. He also incorporates vintage prints from children's literature into collage compositions, as well.

Mr. Sternfels' artistic education expanded to a Masters degree in Architecture from the University of Pennsylvania. Here, he refined his design skills and developed his historical perspective on patterns and styles. In Eric's view, the making of Architecture - like his collages and light sculptures - requires the skillful blending of carefully selected components into compositions that delight and satisfy us.

Remaining in Philadelphia, the artist lives in an historic mill workers home (ca. 1840) and works in a renovated textile mill (ca. 1880) with dozens of professional and amateur artists and craftsmen.
www.MillStudios.org ]

 
 
 
 
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